Jason Statham’s A Working Man Dethrones Snow White at the Box Office
Jason Statham’s latest action thriller, A Working Man, has made a powerful debut, securing the top spot at the box office and surpassing Disney’s live-action Snow White. The film raked in an impressive $15.2 million domestically during its opening weekend, proving Statham’s enduring appeal in the action genre. Combining intense action sequences and a gripping storyline, A Working Man has resonated with audiences looking for high-energy entertainment.
A Tough Weekend for Snow White
Despite a strong opening, Snow White faced a significant decline in its second weekend, dropping 66% and earning only $14.2 million. This marks the steepest second-weekend drop for any of Disney’s live-action adaptations, even surpassing Dumbo’s previous record decline. The remake, starring Rachel Zegler and Gal Gadot, has sparked mixed reactions from fans, with some praising the performances while others criticized its changes from the animated classic. While Snow White continues to perform internationally, its domestic struggles raise questions about audience interest in Disney’s live-action remakes moving forward.
Other Box Office Highlights
Beyond the top two contenders, several other films made a mark at the box office:
- The Chosen: Last Supper (Season 5) Part 1 debuted with $11.5 million, drawing in faith-based audiences.
- Universal’s horror film The Woman in the Yard, starring Danielle Deadwyler, earned $9.4 million, benefiting from strong word-of-mouth.
- A24’s Death of a Unicorn, featuring Paul Rudd and Jenna Ortega, opened with $5.7 million, appealing to indie film enthusiasts.
Looking Ahead
The box office is set for more shake-ups in the coming weeks with anticipated releases such as A Minecraft Movie, Eric LaRue, and Freaky Tales. With a mix of action, horror, and family-friendly content on the horizon, the competition for the number-one spot remains fierce. If A Working Man maintains momentum, it could solidify itself as one of the year’s biggest surprise hits. Meanwhile, Disney will need to reassess its strategy for live-action adaptations as audience preferences continue to evolve.
